关于在短时间内的某几个人的经过

4.0 较差

分类：剧情片地区：法国年份：1959

更新：HD中字/2024-10-30 15:19:58

主演：未知

导演：居伊·德波

简介：Voice 1 (male professional announcer type) This ne...详情

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Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary populati 《关于在短时间内的某几个人的经过》是一部好看的片子，本网站无需下载任何播放器即可免费观看，本片讲述了： Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
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策驰影院网友：除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、原来新神马电影手机版 > 百度视频等平台去看正版视频。

2、

神马影院网友：最近有未知等演员主演的剧情片一经播出就受到了很多观众的欢迎和认可，这部剧情片里面，演员的演技都是非常值得肯定的，我觉得未知在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品

3、《关于在短时间内的某几个人的经过》讲述的是什么故事？

天龙影院网友： Voice 1 (male professional announcer type) This ne...

4、《关于在短时间内的某几个人的经过》有多少集？

青苹果影院网友：HD中字。具体总集数可以去百度问答看看

5、《关于在短时间内的某几个人的经过》剧情片哪里下载

星辰影院网友：原来新神马电影手机版为您提供《关于在短时间内的某几个人的经过》迅雷下载、西瓜视频下载等

6、《关于在短时间内的某几个人的经过》主要演员有哪些？

飘花电影网网友：主演众多明星

7、手机端软件app怎么免费看《关于在短时间内的某几个人的经过》剧情片

西瓜影音网友：您可以用手机打开百度APP在搜索框里输入：关于在短时间内的某几个人的经过手机在线观看免费，就可以找到免费正版播放资源了。手机免费看关于在短时间内的某几个人的经过网址:www.zhentaijixie.com/pi/113840.html，这个网站免费无广告。

8、《关于在短时间内的某几个人的经过》评价怎么样？

豆瓣电影影评：这片子还挺出乎我意料的，虽然故事和太诗歌化的叙述方式确实难免又长又闷，但里边的一些原创情节颇有意味，内核也并不是单纯想复述一个古代史诗，而更像个用现代视角对古代故事进行剖析的人性寓言。其中有一个最没预料到但又很合情合理的情节设定，也是在我看来本片中最大的亮点。

1905电影网影评：从影片的立意来看，应该说导演的野心很大，想要利用俊男靓女、明星大腕来演绎一出集爱情、动作、探险、搞笑等元素于一身的大戏，但是除了个别细节之处略有可圈可点之处，整部影片全程尴尬。

烂番茄影评：观影建议：这是一部真正适合电影院的电影，所以和麦当劳巨无霸一个道理，屏幕越大越好。另反感海外华人的，尤其是心系形象建设的，普及标准普通话的，建议别看，否则会被高口碑骗得裤子不剩哈。o(╯□╰)o

mtime时光网影评：好看还是好看的，故事紧凑曲折，对人类的道德伦理的挑战。开头的长镜头和配乐就已经有种魔力，吸引我进入孤独先生的世界。有几处场景导演处理得太美了。

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湿沙咖啡馆

类型：剧情片，地区：瑞士,格鲁吉亚

主演：Bebe,Sesitas

影片详情

影片名称：关于在短时间内的某几个人的经过

影片别名：guanyuzaiduanshijianneidemoujigerendejingguo

上映时间：1959年

国家/地区：法国

影片语言：法语

IMDB链接：1730272798

豆瓣评分：4.0分

影片类型：剧情

影片导演：居伊·德波

影片主演：未知

视频集数：全集HD中字

资源类别：高清、完整、全集、未删减版本

资源更新：HD中字

总播放次数：1740+人次

入库更新时间：2024.10.30 15:19:58

关于在短时间内的某几个人的经过剧情：
Voice 1 (male professional announcer type) This ne...

关于在短时间内的某几个人的经过

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